I was playing last night when I managed to get set-mined 200bb deep against someone who had 15 minutes before two-outered me after getting 100bb all in on the turn. I'm not reporting this as a whinge - that would be against my rules - but because I decided that I wasn't tilted by this, but that I should stop anyway (after only 600 hands), just in case. This means that I have progressed from 'tilt + carry on playing -> spew' through 'tilt + stop playing' to 'don't tilt + stop playing'. Given the limited number of hours in the day I have for this project, I need to quickly move on to 'don't tilt + don't stop'. I am however glad to report that I said 'No' to beer last night, much to mrsjb's astonishment.
Xmas CD no. 3
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This is The Octopus by Amplifier. Amazon recommended it to me, probably because I like Opeth and Dream Theater and Porcupine Tree. It says on the box that it is 'the grand benchmark against which all British prog rock albums will be judged', which manages to be simultaneously grandiose and amusingly parochial. What can I say? It's kind of OKish. It's not as heavy as Opeth, has fewer notes than Dream Theater and it's not as musical as PT. If it was 1981 I'd probably be thinking it was the most complex, heavy, extended, fantastic thing I've ever heard, but music has moved on a lot since then. I expect it will grow on me as I listen to it some more (you certainly get lots of music for your money with this one as it's two full CDs of prog nonsense).
This is track quite good. I like the drums and it has a bit of a Lenny Kravitz feel to it in the middle. But, inevitably, it rather outstays its welcome.



